Sell

Sell can refer to:

People

Glossary of professional wrestling terms

Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.

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References

William Christian Sellé

William Christian Sellé (also known as Wilhelm Kristian Sellé) was a Victorian doctor of music, composer and for forty years Musician in Ordinary to her Majesty Queen Victoria.

Biography

William Christian Sellé was born in Benhall, Suffolk in 1813, and was the son of a musician Christian Sellé who had left Hanover with Viotti a celebrated violinist, for reason of an opportunity to join the private band of the 15th Light Dragoons of Ernest Augustus Duke of Cumberland who was then residing at the royal residence in Kew and was forming a band of mainly German musicians. His Mother Elizabeth Underwood was from a farming family in Suffolk. Sellé was bilingual from an early age.

Sellé began his musical education at a young age. He was placed under the tutelage of another of the Duke of Cumberland’s musician, a man named Platt. At fifteen he became a pupil of Cipriani Potter, at that time the principal of the Royal Academy of Music where he specialised in pianoforte. Sellé demonstrated at an early age the ability to teach music beginning whilst he was under tutelage. Potter trusted him enough to allow him to teach the other pupils. He was at the academy for about two years and then started a seventy-year career as a teacher. He was primarily a teacher of the piano and organ but was also a skilled violinist.

Buyō

Buyō (舞踊) or Nippon buyō/Nihon buyō (日本舞踊) is a traditional Japanese performing art, a mixture of dance and pantomime, which emerged in the early Edo period (early 17th century) from earlier traditions. While performed independently by specialists, it is particularly conspicuous as the style of dancing performed by geisha.

Influences

Nihon buyō differs from other Japanese traditional dances in that it is intended for entertainment on stage. Nihon buyō is a refined dance that has been improved throughout four centuries. There are four influences on Nihon buyō, the most significant being kabuki buyō. Nihon buyō was created directly from kabuki buyō before it became theater. The second influence on Nihon buyō is noh. Nihon buyō takes a few key elements from noh such as the circular movements and the tools used in its dances. The third influence on these dances comes from folk dances; the spinning and jumping used in folk dances was incorporated into Nihon buyō. The last influence comes from the mixture of European and American culture that is found in Japan today.

Buy

Buy may refer to:

Buy, Kostroma Oblast

Buy (Russian: Буй) is a town in Kostroma Oblast, Russia, which stands on the Kostroma River. Population: 25,763 (2010 Census); 27,392 (2002 Census); 32,701 (1989 Census).

History

Buy was originally a trading post and protected by a hill fortress of Finno-Ugrian Meri people c. 400–500 CE. Its original Meri name is not known, but in Finnish language it was called either Vuoksensuu or Vieksansuu (lit. Mouth of Vuoksi/Vieksa). It was inhabited by the Finno-Ugrian peoples at least up to the Mongol invasion of Russia in 1237–1238. During the Mongol threat, some inhabitants of Kostroma sought refuge in Buy, and it seems that they renamed the place Buy (Vui, Bui) instead of using the Finno-Ugrian name which was difficult for them to pronounce, but the origin of the Russian name comes from the old Meri name.

Modern Buy was founded in 1536 as a fortified point at the confluence of the Kostroma and the Vyoksa Rivers. The fortified point was built according to the order of Yelena Glinskaya, the regentess of Russia at that time and the mother of Ivan the Terrible, to defend the eastern frontiers of the Grand Duchy of Moscow from the raids by Kazan Tatars and others. However, twenty years after its construction, the fortress lost its military significance, as Kazan was taken and the raids ceased.